You could replace it with a time adjuster set to the appropriate delay, if you want. Now, duplicate that aux and bypass the comp on the copy.

Now set up (what would have been) your parallel aux with a compressor that introduces delay. The problem is that putting a time adjuster on the audio track wont fix the issue, because your send is post insert.ĪDC seems to introduce a delay on the audio track, post send.Ī way to deal with it would be to have your raw audio track and set the output to none. You'll get phase issues here because the source is identical. If you have a raw track outputting to mains and also sending to a compression aux, the compressor will introduce a delay against the raw. I've always been of the opinion that this does not matter unless you're dealing with parallel effects. So how should I set my tracks with TimeAdjuster? My other virtual instrument (drum program) is the highest at 74. The click is showing a delay of 10 as well as 1 of the virtual instruments(keyboards) is showing a delay of 10. 3 of the audio tracks (all using Guitar Rig 4)are showing a delay of 64. 4 mono audio tracks,1 click,1 master,2 stereo virtual instruments,and 4 stereo effects buses. Let me give you all the breakdown of the tracks. OK I tried that but my tracks still sounded off. I from there would then insert a TimeAdjuster plugin on all the other tracks and set it so they are all the same as the track with the highest delay. So I know how to look at the delay in the volume area of the track, so it tells me which one has the most delay. I have seen some videos saying to use the TimeAdjuster plugin to compensate. Now I know why my mixes never sounded right! OK so I am using Pro Tools le 8 and it does not have ADC so I have to do it manually. I have just recently learned about delay compensation.

Pro tools 12 delay compensation